Civic Opera House

Civic Opera House
  1. About the Civic Opera House in Chicago
    1. Building Catalogations
    2. Prizes & Awards
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The Civic Opera House is an Art-deco skyscraper designed by Graham, Anderson, Probst & White, and built between 1927 and 1929, for a reported $23.4 million dollars, in Chicago, IL.

Civic Opera House is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The Civic Opera House is also known, or has been known as, Civic Opera Building, or Kemper Insurance Group Building.

Its precise street address is 20 North Wacker Drive, Chicago, IL. You can also find it on the map here.

The Civic Opera House is a structure of significant importance both for the city of Chicago and the United States as a nation. The building embodies the distinctive characteristic features of the time in which it was built and the Art Deco style. Because of that, the Civic Opera House was officially declared as a national landmark on February 5th 1998.

The Civic Opera House has received multiple architecture awards for its architectural design since 1929. The following is a list of such prizes and awards:

  • Citation of Merit in the Distinguished Building Award category by the AIA Chicago in 1997
  • Crombie Taylor Award for Preservation and Restoration by the Illinois Chapter of the AIA in 2011

The building has been restored 2 times over the years to ensure its conservation and adaptation to the pass of time. The main restoration works happened in 1996 and 2013.

Building's timeline

Construction begins
1927
98
Construction completed
1929
96
a
Restoration
1996
29
Declared NL
1998
27
b
Restoration
2013
12
years ago
2025
  1. 1993 to 1996 - The opera facilities were renovated, including the creation of a new rehearsal hall with a stage twice the size of the previous one, replacement of rigging and lighting, an upgraded electrical system, new heating and ventilation systems, improved restrooms for the audience, updated accessibility features for people with disabilities, and renovations to the mezzanine lobby, office spaces, and rooms for the artists. The renovation also encompassed an upgrade to the theater's street-facing facade, featuring new marquees, exterior lighting, and signage. In the final phase of the renovation, the golden paintings in the auditorium and the ceiling ornamentation were restored, the seats were reupholstered, and the travertine marble details were polished. The architect in charge was Skidmore, Owings & Merrill.
  2. 2013 - On the rooftop of the 15th floor of the Opera House, a terrace was designed featuring a bar and an outdoor grill. The architect in charge was Daniel Ostfeld.

Architect and team

Graham, Anderson, Probst & White was the architecture firm in charge of the architectural design.

Also known as GAP&W, the firm was founded in 1912 in Chicago, and remained active until 2006, when it finally closed its doors.

GAP&W is not only key in the evolution of Chicago's architecture because of the buildings they designed, which were many and nothing short of cutting-edge for their time, but also because two of their architects, Hubert Burnham and Daniel Burnham, eventually started their own practice, which became Burnham Brothers, yet another of the most influential firms the city has ever seen.

The firm's style evolved according to the times. Their first buildings had clear Beaux-Arts inspirations, but they eventually embraced the arrival of Art-Deco, as well as neogothic and neoclassicism.

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but here is a list of the people we do know also played their part in making the Civic Opera House a reality:

  • Samuel Insull as the Main Developer
  • Henry Hering, Jules Guerin as the collaborating Artist

Architectural Style

The Civic Opera House can be categorized as an Art-deco building.

The Art Deco movement flourished during the 1920s and 1930s, with many historians marking the outbreak of World War II as its final decline. Even though a couple of decades might not seem as much, the Art Deco movement had a great impact on architecture, and it's widely represented in many American cities due to the development boom that happened during that time.

Art Deco marked the abandonment of traditional historicism and the embracement of modern living and the age of the machine. In architecture, that meant leaving behind the ornaments of Beux-Arts and Neo-Gothic buildings and instead favoring simplicity and visual impact through geometric shapes, clean lines, and symmetrical designs. Ornaments were still an important part of the design, but they became bold and lavish, and were often inspired by ancient cultures or industrial imagery, instead of nature.

The Civic Opera House was completed in 1929, right when the Art Deco movement was at its peak, so it kind of went with the trend at that time.

Spaces & Uses

The Civic Opera House reaches an architectural height of 554ft (169m). It has a total of 45 floors, which combined offer a total of 9,848,969 sqf (915,000m2) of usable space.

Ever since opening its doors to the public in 1929, the Civic Opera House has mainly been used as Commercial space, with other complementary uses such as cultural space.

This 45-story office tower combines its structure with a 3650-seat opera theater. The building has two wings attached on the sides, each with 22 floors. The building houses the Civic Opera House, the second-largest opera auditorium in North America, whose architecture is a blend of Art Nouveau and Art Deco styles.

554ft (169m)

Materials & Structure

The Civic Opera House uses a frame structure made of steel columns and slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade is a non-load bearing masonry facade. This type of facade became common during the period when buildings, especially taller ones, transitioned from load-bearing wall systems to frame structures.

Frame structures allowed facades to be independent from the building's frame, enabling the use of lighter materials and larger openings. However, it took some time for architects to incorporate these new posibilities into their designs, and so for a while they simply replicated the look and feel fo buildings people where used to seeing.

Non-structural Masonry Facade
Non-structural Masonry Facade

From an aesthetic point of view, the facade features an Indiana limestone-clad with cutout windows. The spandrels are adorned with vertical patterns carved into the limestone.

Access is through a two-story portico adorned with carved limestone and a monumental pedestrian colonnade. At the southern end, imposing bronze doors lead into the grand foyer of the Lyric Opera House. The facade facing the Chicago River, west side, shaped like a massive armchair, houses the 12 floors occupied by the opera.

Sources

  • en.wikipedia.org
  • web.archive.org
  • www.som.com
  • webapps1.chicago.gov
  • www.lyricopera.org
  • www.kirkegaard.com
  • www.gpchicago.com
  • archive.org