Lipstick Building

Lipstick Building
  1. About the Lipstick Building in New York
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The Lipstick Building is a Postmodernist skyscraper designed between 1981 and 1983 by Johnson/Burgee Architects, and built between 1983 and 1986 in New York, NY.

Lipstick Building is not the only name you might know this building by though. The building is, or has also been known as 53rd at Third.

Its precise street address is 885 Third Avenue, New York, NY. You can also find it on the map here.

The building underwent a major restoration in 2024. The architect commissioned to undertake this restoration was MdeAS Architects.

Building's timeline

Design begins
1981
43
Construction begins
1983
41
Construction completed
1986
38
a
Restoration
2024
0
years ago
2024
  1. 2024 - The lobby was remodeled by replacing the original red granite slabs with white marble. A reception desk was added beneath a sculpture by modernist artist Imi Knoebel. The renovation also introduced modern LED ceiling lighting, updated the interiors of the elevators, and added new seating in the lobby. The restaurant located at the north end of the lobby was replaced by a café and an open seating area. The architect in charge was MdeAS Architects.

Architect and team

Johnson/Burgee Architects was the architecture firm in charge of the architectural design.

Johnson/Burgee Architects was a prominent American architectural firm founded in 1968 by renowned architects Philip Johnson and John Burgee.

Philip Johnson was initially one of the greatest advocates for the International Style. However, by the late 1960s, he began questioning the constraints of this style and started leaning towards Postmodernism.

It was particularly during his partnership with John Burgee that Johnson explored more expressive, historical, and often whimsical designs, reflecting the evolving architectural landscape of the 1970s and 1980s.

Johnson/Burgee Architects was a leader in redefining corporate architecture in the late 20th century. The firm became known for its influential role in the Postmodern architecture movement and gained recognition for its innovative and bold designs, often characterized by classical references, bold forms, and a departure from the minimalist principles of Modernism.

However, the partnership between Johnson and Burgee began to unravel in the late 1980s as they started to disagree on management and creative directions. The firm’s financial difficulties escalated, and it ultimately declared bankruptcy in 1991, with Burgee suing Johnson for financial mismanagement.

Johnson Burgee Architects

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but here is a list of the people we do know also played their part in making the Lipstick Building a reality:

  • Irwin Cantor in charge of Structural Engineering
  • Gerald D. Hines as the Main Developer
  • Cosentini Associates in charge of MEP Engineering
  • Zion and Breen Associates in charge of Landscape Architecture

Architectural Style

The Lipstick Building can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The Lipstick Building was designed in 1981. At that time Postmodernism was the prevailing style. Fresh, bold and daring, architects were exploring the freedom of designing without having to follow the strict, sometimes arbitrary rules of a specific architectural movement (which ironically became a movement itself). The Lipstick Building was therefore every much in line with what the architecture community, and the people liked and wanted at the time.

Spaces & Uses

The Lipstick Building reaches an architectural height of 453ft (138m). It has a total of 34 floors.

The building sits on a 43,562 sqf (4,047m2) piece of land , and offers a total of 591,993 sqf (54,998m2) of usable space.

Ever since opening its doors to the public in 1986, the Lipstick Building has mainly been used as Commercial space.

453ft (138m)

Materials & Structure

The Lipstick Building uses a framed tube-in-tube structure , with steel columns and concrete slabs.

A framed tube-in-tube structure uses a central core, known as inner tube, which usually holds stairs, lifts and installations, and a perimeter of columns around it, which form the exterior tube. The interior tube is tipically more massive (often made of reinforced concrete), and the exterior tube is "lighter" (made of steel or concrete columns). Both tubes are conencted via horizontal elements which make up the floors and also transmit any horizontal froces from the facade to the core.

The facade employs a non-load bearing curtain wall system. This means the curtain wall modules are anchored to the building's structural frame at the edges of the floor slabs. The perimeter columns are set back slightly from the facade, allowing them to remain independent of the curtain wall system.

This configuration enables a completely free design of the curtain wall, unencumbered by structural elements, thus providing greater flexibility in aesthetic choices and maximizing the visual impact of the exterior.

Non-structural Curtain Wall Facade
Non-structural Curtain Wall Facade

From an aesthetic point of view, the facade features a combination of red and gray granite panels is interspersed with continuous bands of ribbon windows, emphasizing the building's distinctive elliptical shape, which has earned the building a place amongst New York City's most iconic structures.

Sources

  • en.wikiarquitectura.com
  • en.wikipedia.org
  • slgreen.com