1540 Broadway Building

1540 Broadway Building
  1. About the 1540 Broadway Building in New York
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The 1540 Broadway Building is a Postmodernist skyscraper designed by Skidmore, Owings & Merrill, with David Childs as lead architect, and built between 1988 and 1990 in New York, NY.

1540 Broadway Building is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The 1540 Broadway Building is also known, or has been known as, Bertelsmann Building, or One Broadway Place.

Its precise street address is 1540 Broadway, New York, NY. You can also find it on the map here.

The retail space located at the base of the building is one of the most iconic and photographed storefronts in the world, with colorful signage, lighting and streaming media messages.

The building underwent a major restoration between 2018 and 2019. The architect commissioned to undertake this restoration was Gensler.

Building's timeline

Construction begins
1988
36
Construction completed
1990
34
a
Restoration
2019
5
years ago
2024
  1. 2018 to 2019 - The lobby was renovated, the elevator cabins and heating, ventilation and air conditioning systems were renovated. An extensive shared services program for employees was implemented, including a small food hall, a bar, a tenant lounge, a gym and meeting spaces. The architect in charge was Gensler.

Architect and team

Skidmore, Owings & Merrill, with David Childs as the lead architect, was the architecture firm in charge of the architectural design.

Commonly known as SOM, the firm was founded in Chicago in 1936 and has grown to be one of the largest architecture firms in the world.

Even long after its founders passed away, SOM has remained at the top of worldwide architectural excellence by attracting visionary architects. Amongst their most notorious partners we find names such as Gordon Bunshaft, Bruce Graham, Walter Netsch, Adrian Smith, Myron Goldsmith or David Childs.

SOM has also managed to grow and evolve to tackle the architectural challenges of each time, whatever those might be, and today is committed to aspects as important as efficiency and sustainability, as core values of their designs.

With a legacy spanning decades, SOM continues to shape the skylines of cities around the world, and is a usual contestant in any competition or selection process to design large-scale or iconic buildings and structures.

Skidmore Owings Merrill

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but here is a list of the people we do know also played their part in making the 1540 Broadway Building a reality:

  • Gilsanz Murray Steficek in charge of Structural Engineering
  • Tishman Construction as the Main Contractor
  • Otis Elevator Company as the company in charge of the elevators system
  • Ian Bruce Eichner as the Main Developer
  • Jaros Baum & Bolles in charge of MEP Engineering
  • Karen Lemmert, Moffat Takadiwa as the collaborating Artist

Architectural Style

The 1540 Broadway Building can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The 1540 Broadway Building was completed in 1990. By 1990 the Postmodernism movement was experiencing a transition. Critics argued that Postmodernism, initially a rebellious and innovative style, had become formulaic and commercialized, and so the trend started moving away from blending historical styles, irony, and playful ornamentation, and begun to give way to emerging architectural trends concerned with more present matters such as technology, ecology or sustainability.

The 1540 Broadway Building was kind of late to Postmodernist movement, which in some ways might make it seem older than it really is.

Spaces & Uses

The 1540 Broadway Building reaches an architectural height of 617ft (188m), 732ft (223m) if you count the antenna, with the last accesible floor being 564ft (172m) off the gorund. It has a total of 46 floors, 42 above ground and 4 basements, served by 15 elevators.

The building sits on a 38,750 sqf (3,600m2) piece of land , and offers a total of 1,076,390 sqf (100,000m2) of usable space.

Ever since opening its doors to the public in 1990, the 1540 Broadway Building has mainly been used as Commercial space, with other complementary uses such as retail space.

732ft (223m)
617ft (188m)
564ft (172m)
4 basements

Materials & Structure

The 1540 Broadway Building uses a frame structure made of steel columns and poured concrete over metal decking slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade uses a non-load bearing curtain wall system. This means the curtain wall modules are anchored to the building's structural frame, typically by being attached to the edge of the floor slabs. The curtain wall system connects to the slabs using brackets, anchors, and mullions, which transfer the loads imposed by wind and temperature changes, to the building's primary structural elements.

This setup allows the curtain wall to accommodate differential movement between the facade and the structural frame, such as thermal expansion, floor deflection, or sway from wind forces. This system's integration with the slab edges also allows for continuous insulation and weatherproofing layers.

Non-structural Curtain Wall Facade
Non-structural Curtain Wall Facade

From an aesthetic point of view, the facade features blue glass with vertical aluminum mullions.

The facade facing 46th Street switches tones slightly, and features green-tinted glass and white spandrels.

The building volume features a bow-shaped projection at its western end with a metal spire.

Sources

  • en.wikipedia.org
  • www.vno.com
  • 1540broadway.com
  • www.loopnet.com