Lefcourt Building

Lefcourt Building
  1. About the Lefcourt Building in Newark
  2. Architect and team
  3. Architectureal style
  4. Spaces and uses
  5. Structure and materials

The Lefcourt Building is an Art-deco skyscraper designed by Frank Grad and Sons and built between 1929 and 1930 in Newark, NJ.

Lefcourt Building is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The building has changed names several times over the years, and is also known as:

  • Federal Trust Bank Building.
  • Raymond-Commerce Building.
  • Eleven80 from 2006 until this day.

Its precise street address is 1180 Raymond Boulevard, Newark, NJ. You can also find it on the map here.

The Lefcourt Building and its neighbor at 744 Broad St., the National Newark Bank Building, were considered the 'Art Deco twins' of Newark and remained the tallest buildings in New Jersey until the late 1980s. However, they fell into disrepair during that decade and remained vacant for 20 years.

The building underwent a major restoration between 2004 and 2006. The architect commissioned to undertake this restoration was Gruzen Samton Architects LLP.

Building's timeline

Construction begins
1929
95
Construction completed
1930
94
a
Restoration
2006
18
years ago
2024
  1. 2004 to 2006 - After decades of neglect and with the intention to convert the old building into luxury residential units, the renovation required significant restoration work on the building's structure, new system installations, and facade restoration. The architect in charge was Gruzen Samton Architects LLP.

Architect and team

Frank Grad and Sons was the architecture firm in charge of the architectural design.

Frank Grad and Sons was in charge of the architectural design, however, architecture is a complex discipline, which usually involves many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but at the very least we know that there was one other part involved, that was Cogswell Group as the Main Developer.

Architectural Style

The Lefcourt Building can be categorized as an Art-deco building.

The Art Deco movement flourished during the 1920s and 1930s, with many historians marking the outbreak of World War II as its final decline. Even though a couple of decades might not seem as much, the Art Deco movement had a great impact on architecture, and it's widely represented in many American cities due to the development boom that happened during that time.

Art Deco marked the abandonment of traditional historicism and the embracement of modern living and the age of the machine. In architecture, that meant leaving behind the ornaments of Beux-Arts and Neo-Gothic buildings and instead favoring simplicity and visual impact through geometric shapes, clean lines, and symmetrical designs. Ornaments were still an important part of the design, but they became bold and lavish, and were often inspired by ancient cultures or industrial imagery, instead of nature.

The Lefcourt Building was completed in 1930, right when the Art Deco movement was at its peak, so it kind of went with the trend at that time.

Spaces & Uses

The Lefcourt Building reaches an architectural height of 449ft (137m). It has a total of 35 floors, served by 4 elevators.

When it opened its doors to the public in 1930, the Lefcourt Building was primarily used as Commercial space. That however, is no longer the case, and today it mainly provides Residential space.

About the residences

The Lefcourt Building has a total of 317 residential units throughout its 35 floors. If you are interested in learning more about the residences and their availability, you can check the Lefcourt Building's website.

449ft (137m)

Materials & Structure

The Lefcourt Building uses a frame structure made of steel columns and concrete slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade is non-load bearing either, as it is common in frame structure type buildings.

From an aesthetic point of view, the facade features a five-story base adorned with terracotta panels and metallic spandrels featuring geometric motifs. Upon this base rises the rest of the building, with seven bays with two windows each on the wider facades and five on the narrower ones, all framed with cast iron. The facades, covered with mortar mixed with coarse aggregate, emphasize the joints.

The access happens through a four-part glass door with bronze frames, similar to the engraved fixture above it, culminating in a clock. The entire entrance is surrounded by polished black granite slabs.

Sources

  • dana.njit.edu
  • en.wikipedia.org
  • casestudies.uli.org