10 Exchange Place

10 Exchange Place
  1. About the 10 Exchange Place in New Jersey
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The 10 Exchange Place is a Postmodernist skyscraper designed by Grad Partnership, with Harry B. Mahler as lead architect, and built between 1989 and 1990 in New Jersey, NJ.

10 Exchange Place is not the only name you might know this building by though. The building is, or has also been known as Exchange Place Center.

Its precise street address is 10 Exchange Place, New Jersey, NJ. You can also find it on the map here.

The building underwent a major restoration between 2020 and 2021. The architect commissioned to undertake this restoration was MdeAS.

Building's timeline

Construction begins
1989
35
Construction completed
1990
34
a
Restoration
2021
3
years ago
2024
  1. 2020 to 2021 - The renovation included modernizing the lobby with a security desk and new access turnstiles, upgrading the elevator cabins with a new operating system, and modernizing the glass facade. The architect in charge was MdeAS.

Architect and team

Grad Partnership, with Harry B. Mahler as the lead architect, was the architecture firm in charge of the architectural design.

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but at the very least we know that there was one other part involved, that was Turner Construction Company as the Main Contractor.

Architectural Style

The 10 Exchange Place can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The 10 Exchange Place was completed in 1990. By 1990 the Postmodernism movement was experiencing a transition. Critics argued that Postmodernism, initially a rebellious and innovative style, had become formulaic and commercialized, and so the trend started moving away from blending historical styles, irony, and playful ornamentation, and begun to give way to emerging architectural trends concerned with more present matters such as technology, ecology or sustainability.

The 10 Exchange Place was kind of late to Postmodernist movement, which in some ways might make it seem older than it really is.

Spaces & Uses

The 10 Exchange Place reaches an architectural height of 489ft (149m), 515ft (157m) if you count the antenna. It has a total of 30 floors, served by 15 elevators.

In regards to parking space, the building has a total of 467 spots available, which roughly equals 16 spots per floor (above ground).

Ever since opening its doors to the public in 1990, the 10 Exchange Place has mainly been used as Commercial space.

515ft (157m)
489ft (149m)

Materials & Structure

The 10 Exchange Place uses a frame structure made of steel columns and concrete and steel slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade uses a non-load bearing curtain wall system. This means the curtain wall modules are anchored to the building's structural frame, typically by being attached to the edge of the floor slabs. The curtain wall system connects to the slabs using brackets, anchors, and mullions, which transfer the loads imposed by wind and temperature changes, to the building's primary structural elements.

This setup allows the curtain wall to accommodate differential movement between the facade and the structural frame, such as thermal expansion, floor deflection, or sway from wind forces. This system's integration with the slab edges also allows for continuous insulation and weatherproofing layers.

Non-structural Curtain Wall Facade
Non-structural Curtain Wall Facade

From an aesthetic point of view, the facade features light beige concrete panels cover the first six levels of the building, which correspond to the parking area. The rest of the building features a curtain wall with aluminum frames and light green tinted reflective insulating glass, that forms uninterrupted vertical window lines.

On the rounded front facing the river, the windows are separated by spandrels, with three setbacks as it rises, culminating in a distinctive triangular spire at the top.

Sources

  • njcu.libguides.com
  • web.archive.org
  • www.usgbc.org
  • www.loopnet.com
  • assets.website-files.com
  • es.wikipedia.org