One Charles Center

One Charles Center
  1. About the One Charles Center in Baltimore
    1. Building Catalogations
    2. Prizes & Awards
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The One Charles Center is an International Style skyscraper designed between 1959 and 1960 by Mies van der Rohe, and built between 1960 and 1962, for a reported $12.0 million dollars, in Baltimore, MD. Mies van der Rohe was commisioned to design the building after winning the competition that was held in 1960.

Its precise street address is 100 North Charles Street, Baltimore, MD. You can also find it on the map here.

The One Charles Center is a structure of significant importance both for the city of Baltimore and the United States as a nation. The building embodies the distinctive characteristic features of the time in which it was built and the International Style style. Because of that, the One Charles Center was officially included in the National Register of Historic Places on July 13th 2000.

The One Charles Center was awarded with the First Honor Award by the Baltimore Chapter of the American Institute of Architects.

The building stands on a concrete podium topped by a plaza. Initially the podium and the plaza was paved with travertine marble, although the material was replaced at some point in the 80s. The podium is currently clad with pre-cast concrete panels.

The poidum houses retail space and an underground parking.

The building has been restored 2 times over the years to ensure its conservation and adaptation to the pass of time. The main restoration works happened in 1987 and 1993.

Building's timeline

Design begins
1959
65
Construction begins
1960
64
Construction completed
1962
62
Restoration
1987
37
a
Restoration
1993
31
Added to the NRHP
2000
24
years ago
2024
  1. 1993 - The building was restored to its original condition, as designed by Mies van der Rohe.

Architect and team

Mies van der Rohe was the architecture firm in charge of the architectural design.

Ludwig Mies van der Rohe was born in 1886 in Germany. During the first part of his career, he ran his own practice in Berlin, and later on became the director of the Bauhaus School of Architecture.

Mies is considered one of the fathers of modern architecture. His work played an instrumental role in defining the aesthetics of the International Style, emphasizing simplicity, clean lines, and the use of modern materials like steel and glass. His famous statement, "less is more" sums up his design philosophy, which advocated for the elimination of unnecessary ornamentation and a return to the fundamental principles of architecture.

After the Bauhaus was shut down by the Natzi regime, he emigrated to Chicago. There he became the director of the IIT School of Architecture, as well as ran his own architectural firm. During his years in Chicago he continued to explore and promote the principles of the International Style, and had a huge impact on the development of modern skyscrapers.

His legacy can not only be found spread throughout Europe and the US in the shape of iconic buildings such as the German Pavilion, the Tugendhat House, the Crown Hall or the Seagram Building, but also in the architecture curriculum he developed at the IIT which greatly influenced many generations of architects, even to this day.

Mies Van Der Rohe

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but at the very least we know that there was one other part involved, that was Metropolitan Structures as the Main Developer.

Architectural Style

The One Charles Center can be categorized as an International Style building.

The international style originated in Europe in the early 20th century, and made its way to the US a couple of decades later when the rise of the Nazi regime forced figures such as Walter Gropius, Marcel Breuer, or Mies van der Rohe to flee Europe.

The International Style emerged as a response to the prevailing historicism and ornate architecture styles of the late 19th century, which according to a younger generation of architects didn't represent the new materials and construction techniques that were on the rise at the time.

Architecture in the early 20th century US was marked by the adoption of steel structures, modern construction techniques, and the rise of the skyscraper. As it turns out, this combination of circumstances created the perfect ecosystem for the International Style to flourish, becoming the to-go style for skyscraper designs during the mid-20th century, when American cities were growing fast.

The International Style’s legacy can not only be found in numerous iconic buildings across all major American cities, but also incorporated in contemporary architecture, which still puts a big emphasis on functionality and minimalism.

The One Charles Center was designed in 1959. By 1959 the International Style movement had already left its early days behind and could be considered a mature movement, which does not mean it was loved and accepted by everyone, on the contrary. The International Style was accepted by the architecture community way before it was by the general public, and it is therefore likely that the One Charles Center was not well received by everyone at the time.

Spaces & Uses

The One Charles Center reaches an architectural height of 269ft (82m). It has a total of 23 floors, served by 2 elevators.

Ever since opening its doors to the public in 1962, the One Charles Center has mainly been used as Commercial space.

269ft (82m)

Materials & Structure

The One Charles Center uses a frame structure made of reinforced concrete columns and beams.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade uses a non-load bearing curtain wall system. This means the curtain wall modules are anchored to the building's structural frame, typically by being attached to the edge of the floor slabs. The curtain wall system connects to the slabs using brackets, anchors, and mullions, which transfer the loads imposed by wind and temperature changes, to the building's primary structural elements.

This setup allows the curtain wall to accommodate differential movement between the facade and the structural frame, such as thermal expansion, floor deflection, or sway from wind forces. This system's integration with the slab edges also allows for continuous insulation and weatherproofing layers.

Non-structural Curtain Wall Facade
Non-structural Curtain Wall Facade

From an aesthetic point of view, the facade features the characteristic curtain wall Mies liked to use in his high rises. In this particular case, the modules are 4 ft. 8-1/2 in, made of brown anodized aluminum with brawn glazing and his signature I shaped mullions.

Sources

  • npgallery.nps.gov
  • multifamily.cushwake.com
  • es.wikiarquitectura.com