500 Boylston Street

500 Boylston Street
  1. About the 500 Boylston Street in Boston
    1. Prizes & Awards
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The 500 Boylston Street is a Postmodernist skyscraper designed by Philip Johnson/Burgee Architects, with Philip Johnson as lead architect, and built in 1989, for a reported $100 million dollars, in Boston, MA.

500 Boylston Street is not the only name you might know this building by though. The building is, or has also been known as The New England Phase 1.

Its precise street address is 500 Boylston Street, Boston, MA. You can also find it on the map here.

The 500 Boylston Street has received multiple architecture awards for its architectural design since 1989. The following is a list of such prizes and awards:

  • Building of the year by the Building Owners and Managers Association (BOMA) in 2005
  • Building of the year by the Building Owners and Managers Association (BOMA) in 2001
  • Building of the year by the Building Owners and Managers Association (BOMA) in 1996

The Palladian-style windows and the entrance courtyard composed of columns and arches are one of the highlights of its architecture, and are considered by many to be a miniature replica of St. Peter’s Square in Vatican City.

The building has been restored 2 times over the years to ensure its conservation and adaptation to the pass of time. The main restoration works happened in 2014 and 2015.

Building's timeline

Construction completed
1989
36
a
Restoration
2014
11
b
Restoration
2015
10
years ago
2025
  1. 2014 - The lobbies and common areas on floors 11, 20, 21, and 24 were renovated.. The architect in charge was Visnick & Caulfield.
  2. 2015 - Divided into two phases, the wide granite sidewalks surrounding the building were reconstructed and redesigned, and the courtyard was reimagined as a new urban space.. The architect in charge was Klopfer Martin Design Group.

Architect and team

Philip Johnson/Burgee Architects, with Philip Johnson as the lead architect, was the architecture firm in charge of the architectural design.

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but here is a list of the people we do know also played their part in making the 500 Boylston Street a reality:

  • Le Messieur in charge of Structural Engineering
  • Hines Interests Limited Partnership as the Main Developer
  • Cosentini Associates in charge of MEP Engineering

Architectural Style

The 500 Boylston Street can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The 500 Boylston Street was completed in 1989. At that time Postmodernism was the prevailing style. Fresh, bold and daring, architects were exploring the freedom of designing without having to follow the strict, sometimes arbitrary rules of a specific architectural movement (which ironically became a movement itself). The 500 Boylston Street was therefore every much in line with what the architecture community, and the people liked and wanted at the time.

Spaces & Uses

The 500 Boylston Street reaches an architectural height of 364ft (111m). It has a total of 28 floors, 25 above ground and 3 basements.

The building occupies a 136,702 sqf (12,700m2) lot.

In regards to parking space, the building has a total of 1000 spots available, which roughly equals 40 spots per floor (above ground).

Ever since opening its doors to the public in 1989, the 500 Boylston Street has mainly been used as Commercial space, with other complementary uses such as retail space.

The six-floor podium of the building is dedicated to retail and small offices, while the taller tower houses 19 floors of Class A office space.

The parking garage is located on the underground levels, and is shared with the 222 Berkeley St. building.

364ft (111m)
3 basements

Materials & Structure

The 500 Boylston Street uses a frame structure made of steel columns and poured concrete over metal decking slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade uses a non-load bearing modular, or panelized system. This type of facade can function as either a window wall or a curtain wall, depending on the design. Unlike traditional glass curtain walls or window walls though, the modular facade is not primarily composed of glass. Instead, it often features more opaque panels that mimic masonry or stone-clad finishes, with smaller windows cut into the panels.

This type of facade allows the building to benefit from the modern qualities of a curtain wall while giving the design team flexibility to achieve visual aesthetics beyond the all-glass modern skyscraper.

Non-structural Panelized Facade
Non-structural Panelized Facade

From an aesthetic point of view, the facade features polished pink granite panels with aluminum-framed windows.

The exterior composition is symmetrical and organized in vertical bays defined by paired pilasters. The fenestration follows a two-tier arrangement, with rectangular windows on the lower sections and arched windows above. The windows are slightly recessed from within the granite cladding, emphasizing the depth of the wall surface, and are divided into smaller sections by white aluminum frames.

Sources

  • en.wikipedia.org
  • archive.ph
  • www.hines.com
  • aroundus.com
  • cpp-env-static.s3-us-west-2.amazonaws.com