400 West Market

400 West Market
  1. About the 400 West Market in Louisville
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The 400 West Market is a Postmodernist skyscraper designed by Johnson/Burgee Architects, in association with John Burgee, and built between 1991 and 1993, for a reported $100 million dollars, in Louisville, KY.

400 West Market is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The building has changed names several times over the years, and is also known as:

  • Capital Holdings Building between 1993 and 1994.
  • Providian Center between 1994 and 1997.
  • AEGON Center between 1997 and 2010.

Its precise street address is 400 West Market Street, Louisville, KY. You can also find it on the map here.

The tower features an extensive gardened open space on the South side, with an adjacent five-level building housing the parking space.

Building's timeline

Construction begins
1991
33
Capital Holdings Building
1993
31
Providian Center
1994
30
AEGON Center
1997
27
years ago
2024

Architect and team

Johnson/Burgee Architects was the architecture firm in charge of the architectural design, in association with John Burgee.

Johnson/Burgee Architects was a prominent American architectural firm founded in 1968 by renowned architects Philip Johnson and John Burgee.

Philip Johnson was initially one of the greatest advocates for the International Style. However, by the late 1960s, he began questioning the constraints of this style and started leaning towards Postmodernism.

It was particularly during his partnership with John Burgee that Johnson explored more expressive, historical, and often whimsical designs, reflecting the evolving architectural landscape of the 1970s and 1980s.

Johnson/Burgee Architects was a leader in redefining corporate architecture in the late 20th century. The firm became known for its influential role in the Postmodern architecture movement and gained recognition for its innovative and bold designs, often characterized by classical references, bold forms, and a departure from the minimalist principles of Modernism.

However, the partnership between Johnson and Burgee began to unravel in the late 1980s as they started to disagree on management and creative directions. The firm’s financial difficulties escalated, and it ultimately declared bankruptcy in 1991, with Burgee suing Johnson for financial mismanagement.

Johnson Burgee Architects

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but at the very least we know that there was one other part involved, that was Gerald D. Hines Interests as the Main Developer.

Architectural Style

The 400 West Market can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The 400 West Market was completed in 1993. By 1993 the Postmodernism movement was experiencing a transition. Critics argued that Postmodernism, initially a rebellious and innovative style, had become formulaic and commercialized, and so the trend started moving away from blending historical styles, irony, and playful ornamentation, and begun to give way to emerging architectural trends concerned with more present matters such as technology, ecology or sustainability.

The 400 West Market was kind of late to Postmodernist movement, which in some ways might make it seem older than it really is.

Spaces & Uses

The 400 West Market reaches an architectural height of 548ft (167m). It has a total of 35 floors, which combined offer a total of 633,649 sqf (58,868m2) of usable space.

In regards to parking space, the building has a total of 789 spots available, which roughly equals 23 spots per floor (above ground), or one parking spot per every 807 sqf (75m2) of usable space.

Ever since opening its doors to the public in 1993, the 400 West Market has mainly been used as Commercial space.

548ft (167m)

Materials & Structure

The 400 West Market uses a frame structure made of reinforced concrete columns and steel and concrete slabs.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade uses a non-load bearing modular, or panelized system. This type of facade can function as either a window wall or a curtain wall, depending on the design. Unlike traditional glass curtain walls or window walls though, the modular facade is not primarily composed of glass. Instead, it often features more opaque panels that mimic masonry or stone-clad finishes, with smaller windows cut into the panels.

This type of facade allows the building to benefit from the modern qualities of a curtain wall while giving the design team flexibility to achieve visual aesthetics beyond the all-glass modern skyscraper.

Non-structural Panelized Facade
Non-structural Panelized Facade

From an aesthetic point of view, the facade features light-colored polished Italian granite with dark teel moldings accentuating the 15-meter-high two-story base. The entryway features Art Deco-style lanterns and window grilles crafted from polished nickel.

Crowning the tower rises a 24-meter-high Romanesque traceried dome. The dome is illuminated and can change colors on special locations such as Thanksgiving or New Year's eve.

Sources

  • en.wikipedia.org
  • books.google.es
  • www.400westmarket.com
  • www.hines.com