250 Douglas Place Building

250 Douglas Place
  1. About the 250 Douglas Place Building in Wichita
    1. Building Catalogations
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The 250 Douglas Place Building is a Postmodernist skyscraper designed by Lundgren and Mauer, in association with Platt, Adams, Bradley & Associates, and built between 1968 and 1970 in Wichita, KS.

250 Douglas Place Building is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The building has changed names several times over the years, and is also known as:

  • Holiday Inn Wichita-Plaza between 1969 and 1997.
  • Garvey Center.

Its precise street address is 250 W. Douglas St, Wichita, KS. You can also find it on the map here.

The 250 Douglas Place Building is a structure of significant importance both for the city of Wichita and the United States as a nation. The building embodies the distinctive characteristic features of the time in which it was built and the Postmodernism style. Because of that, the 250 Douglas Place Building was officially included in the National Register of Historic Places on June 2nd 2021.

The building is situated between two other buildings, each with 10 floors, forming a 4.5-acre urban complex known as the Garvey Center. This complex comprises four commercial buildings, a covered parking garage, a central plaza, and an outdoor parking lot.

The building underwent a major restoration between 1997 and 2015. The architect commissioned to undertake this restoration was Hanney & Associates Architects.

Building's timeline

Construction begins
1968
57
Holiday Inn Wichita-Plaza
1969
56
Construction completed
1970
55
a
Restoration
2015
10
Added to the NRHP
2021
4
years ago
2025
  1. 1997 to 2015 - The conversion to residential use was carried out gradually over several years, floor by floor. The original bronze-tinted glass panels with metal mullions on the facades were replaced with floor-to-ceiling blue-tinted glazing. Building systems were upgraded, including the installation of individual ducted PTAC (packaged terminal air conditioner) units in the apartments, thus eliminating the central heating plant, and a sprinkler system was installed throughout the residences.. The architect in charge was Hanney & Associates Architects.

Architect and team

Lundgren and Mauer was the architecture firm in charge of the architectural design, in association with Platt, Adams, Bradley & Associates.

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but at the very least we know that there was one other part involved, that was Robert Lightner as the Main Developer.

Architectural Style

The 250 Douglas Place Building can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The 250 Douglas Place Building was completed in 1970. At that time Postmodernism was the prevailing style. Fresh, bold and daring, architects were exploring the freedom of designing without having to follow the strict, sometimes arbitrary rules of a specific architectural movement (which ironically became a movement itself). The 250 Douglas Place Building was therefore every much in line with what the architecture community, and the people liked and wanted at the time.

Spaces & Uses

The 250 Douglas Place Building reaches an architectural height of 299ft (91m). It has a total of 26 floors.

In regards to parking space, the building has a total of 300 spots available, which roughly equals 12 spots per floor (above ground).

When it opened its doors to the public in 1970, the 250 Douglas Place Building was primarily used as Hotel space. That however, is no longer the case, and today it mainly provides Residential space. If you are interested in learning more about the residences and their availability, you can check the 250 Douglas Place Building's website.

The building, originally the Holiday Inn Hotel, was converted into residential units between 1997 and 2015.

Residents in the building have access to a gym, laundry facilities, a lounge on the 24th floor with city views, parking, and a recreational terrace on the 6th floor featuring a pool, hot tub, sports court, and barbecue and picnic areas.

About the residences

The 250 Douglas Place Building has a total of 157 residential units throughout its 26 floors. If you are interested in learning more about the residences and their availability, you can check the 250 Douglas Place Building's website.

299ft (91m)

Materials & Structure

The vertical elements of the concrete and steel's structure, which transmit all loads vertically until the foudnations, are made out of concrete and steel, whreas the horizontal elements that make up each floor are made out of concrete.

The facade in this case is non-load bearing, which means that it does not serve as a structural element, and therefore the architects had total freedom to work on its design without worrying about the support of the building.

The cross-shaped structure of the building rises above a projecting white concrete base with seven floors. This material continues along the corners, and its construction utilized a slipform system.

The structure of the top three floors, which form the building’s crown, is made of steel and rests atop the concrete shaft.

From an aesthetic point of view, the facade features blue-tinted glass and metal mullions in the central sections, with recessed white concrete corners that. The white concrete is especially prominent on the lower floors.

The crown of the building consists of three floors that break the continuous pattern of the lower levels, interrupting the vertical repetition and visually capping the tower.

Sources

  • www.skydb.net
  • wichitalifeict.com
  • www.kansashistory.gov
  • khri.kansasgis.org
  • haarchitects.com