Wells Fargo Center

Wells Fargo Center
  1. About the Wells Fargo Center in Denver
    1. Prizes & Awards
  2. Architect and team
  3. Architectural style
  4. Spaces and uses
  5. Structure and materials

The Wells Fargo Center is a Postmodernist skyscraper designed by Johnson/Burgee Architects, and built in 1983 in Denver, CO.

Wells Fargo Center is not the only name you might know this building by though. It is common for companies to want to attach their names to iconic buildings when they move in, or for the general public to come up with nicknames, and this one is no exception. The building has changed names several times over the years, and is also known as:

  • United Bank of Denver between 1983 and 1995.
  • One Norwest Center between 1995 and 1998.
  • Wells Fargo Center from 1998 until this day.
  • Cash Register Building until .
  • Mailbox Building until .

Its precise street address is 1700 Lincoln Street, Denver, CO. You can also find it on the map here.

In 2003 the Wells Fargo Center was awarded with the BOMA International.

The building underwent a major restoration between 2013 and 2016. The architect commissioned to undertake this restoration was ESI Design.

Building's timeline

United Bank of Denver
1983
41
One Norwest Center
1995
29
Wells Fargo Center
1998
26
a
Restoration
2016
8
years ago
2024
  1. 2013 to 2016 - The immense glass atrium of the building was modernized, respecting the original design but adding five 26-meter LED columns, from floor to ceiling, which together create a canvas inspired by the natural regional landscape . The architect in charge was ESI Design.

Architect and team

Johnson/Burgee Architects was the architecture firm in charge of the architectural design.

Johnson/Burgee Architects was a prominent American architectural firm founded in 1968 by renowned architects Philip Johnson and John Burgee.

Philip Johnson was initially one of the greatest advocates for the International Style. However, by the late 1960s, he began questioning the constraints of this style and started leaning towards Postmodernism.

It was particularly during his partnership with John Burgee that Johnson explored more expressive, historical, and often whimsical designs, reflecting the evolving architectural landscape of the 1970s and 1980s.

Johnson/Burgee Architects was a leader in redefining corporate architecture in the late 20th century. The firm became known for its influential role in the Postmodern architecture movement and gained recognition for its innovative and bold designs, often characterized by classical references, bold forms, and a departure from the minimalist principles of Modernism.

However, the partnership between Johnson and Burgee began to unravel in the late 1980s as they started to disagree on management and creative directions. The firm’s financial difficulties escalated, and it ultimately declared bankruptcy in 1991, with Burgee suing Johnson for financial mismanagement.

Johnson Burgee Architects

That being said, architecture is a complex discipline involving many professionals from different fields, without whom this building would have not been possible. We will surely be leaving out a lot of names here, but here is a list of the people we do know also played their part in making the Wells Fargo Center a reality:

  • CB Engineers in charge of Structural Engineering
  • Lighting Consultant as the Main Contractor
  • Gerald D Hines Interests as the Main Developer
  • Enoc Perez as the collaborating Artist

Architectural Style

The Wells Fargo Center can be categorized as a Postmodernist building.

Postmodernism in architecture emerged in the United States during the late 1960s as a reaction against the starkness of the International Style, which part of the new generation of architects argued was too impersonal, sterile, and disconnected from historical and cultural contexts.

Postmodernism challenged the International Style's austerity by reintroducing historical elements and ornamentation, although this time not as literally as in the Neo-Classic buildings. Instead, they reinterpreted them within the context of modern materials and construction techniques.

Postmodern buildings often feature bold, contrasting colors, unconventional forms, and a playful blend of various architectural elements from different eras and cultures.

In the United States, Postmodernism was not just an aesthetic choice but also a philosophical stance. It represented a democratization of design, where architects sought to create buildings that were accessible and meaningful to a broader range of people, not just designers and intellectuals.

The Wells Fargo Center was completed in 1983. At that time Postmodernism was the prevailing style. Fresh, bold and daring, architects were exploring the freedom of designing without having to follow the strict, sometimes arbitrary rules of a specific architectural movement (which ironically became a movement itself). The Wells Fargo Center was therefore every much in line with what the architecture community, and the people liked and wanted at the time.

Spaces & Uses

The Wells Fargo Center reaches an architectural height of 699ft (213m). It has a total of 50 floors, served by 26 elevators.

In regards to parking space, the building has a total of 350 spots available, which roughly equals 7 spots per floor (above ground).

Ever since opening its doors to the public in 1983, the Wells Fargo Center has mainly been used as Commercial space.

699ft (213m)

Materials & Structure

The Wells Fargo Center uses a frame structure made of concrete and steel columns and beams.

A frame structure uses a combination of beams and columns to sustain the building's weight. The walls in this case are non-load bearing, which allows for more flexibility when distributing the interior spaces.

The facade of the building however, is load bearing. This doesn't imply that it is a traditional load-bearing wall. Rather, it means that the structure's exterior pillars have been pushed to the very edges, becoming integrated with the facade, and therefore, technically, a part of it.

From an aesthetic point of view, the facade features reddish granite panels and reflective dark gray glass, creating a unique articulated pattern that rises from street level to the curved crown, covered with glass and brass lattice.

The curved and glazed atrium crowning the tower is eight stories high, and requires heating to prevent snow from accumulating on it and eventually falling down to the streets around .

Sources

  • www.hines.com
  • www.loopnet.com
  • esidesign.nbbj.com
  • en.wikipedia.org
  • skyscraperpage.com
  • www.cbre.com
  • www.denverpost.com
  • www.saibersaiber.com